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  • In a workshop by Émelie Rigaud at ENSAAMA (Paris) Camille Le Clainche, Ferdinand Del Fabbro and I developed a serif text font from scratch.
  • Logo sketch for a clothing brand by Berlin-based rapper Pashanim during my internship at Unfun.
  • Logo sketches for ffi, an anti-fashion label created with Meret Mächler, Sima Moser, Daryl Schiltknecht and Hagen Tannenberger.
  • Logo development for German singer Alicia Awa during my internship at Unfun.
  • Ever since my studies in Paris I’ve been obsessed with developing letter shapes that take Art Nouveau into current times.
  • Lettering on billboard that expresses hope in the difficult times of Covid. It completed the many billboards created by Unfun.
  • Text font together with Camille Le Clainche and Ferdinand Del Fabbro. The parameters of the font were chosen by a pair of dice.
  • Text font together with Camille Le Clainche and Ferdinand Del Fabbro. The parameters of the font were chosen by a pair of dice.
  • Inspired by a 60s maths book: A system of symbols for my experimental cloud atlas.
  • Delicious experimentation combining my love for crêpes and letters. No crêpes were wasted in the making of these letters!
  • In a workshop by Émelie Rigaud at ENSAAMA (Paris) Camille Le Clainche, Ferdinand Del Fabbro and I developed a serif text font from scratch.
  • Logo sketch for a clothing brand by Berlin-based rapper Pashanim during my internship at Unfun.
  • Logo sketches for ffi, an anti-fashion label created with Meret Mächler, Sima Moser, Daryl Schiltknecht and Hagen Tannenberger.
  • Logo development for German singer Alicia Awa during my internship at Unfun.
  • Ever since my studies in Paris I’ve been obsessed with developing letter shapes that take Art Nouveau into current times.
  • Lettering on billboard that expresses hope in the difficult times of Covid. It completed the many billboards created by Unfun.
  • Text font together with Camille Le Clainche and Ferdinand Del Fabbro. The parameters of the font were chosen by a pair of dice.
  • Text font together with Camille Le Clainche and Ferdinand Del Fabbro. The parameters of the font were chosen by a pair of dice.
  • Inspired by a 60s maths book: A system of symbols for my experimental cloud atlas.
  • Delicious experimentation combining my love for crêpes and letters. No crêpes were wasted in the making of these letters!
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